Las Vegas, April 12, 2015 –
Sony’s next generation of HDC series camera technology provides the ability to
use the high magnification wide zoom range lenses currently employed by HD
2/3-inch systems while maintaining an adequate depth of field to properly show
all of the action in live event broadcasting.
The new HDC-4300 is the world’s
first camera to use three 2/3-inch 4K image sensors¹. It supports the same
B4-mount lenses as well as the same control surfaces as Sony’s industry leading
HDC-2000 series cameras. The existing HDLA-1500 series, control and shading
systems, viewfinders and master set-up units are all interchangeable between
the HD and 4K systems. Directors and operators can keep their approach to live
events — including camera angles, zoom ranges and iris settings – while using
familiar camera technology.
“This camera provides 4K
capabilities and a workflow that content producers are instantly familiar and
comfortable with,” said Rob Willox, marketing manager for
content creation systems, Sony’s
Professional Solutions Americas. “We’ve developed an approach that allows the
large existing HDC series user base to employ 4K advantages such as 8x high
frame rate and 4K cut-out and zoom while using a familiar infrastructure and signal
path.”
The new
HDC-4300 is capable of 4K/HD operation, with 2x, 3x Super Slow Motion as
standard, and higher speeds up to 8x available, to produce high-quality replays
and specialty program effects.
The camera uses
ultra-high-precision alignment technology to realize three 4K sensor on a new
prism. This allows the support of the next-generation ITU-R BT.2020 broadcast
standard’s widened color space for future-proof masters or post production
options for today’s productions, shown on tomorrow’s 4K services.
Direct attachment of B4 HD lenses
Standard large-format B4-mount
lenses mount directly onto the HDC‑4300. This gives broadcasters the
flexibility needed for live sports broadcasts: 4K capabilities while
maintaining their customary HD-lens operating styles.
SZC-4001 Software
Sony’s SZC-4001 software package
(sold separately) allows broadcasters to take advantage of 4K capabilities.
Super Slow Motion (up to 8x) at
HD Resolution
The SZC-4002 software package
(sold separately) enables the system to shoot full HD (1920 x 1080) at frame
rates up to 479.52/400 fps, as well as 59.94/50, 119.88/100, and 179.82/150
fps. Users can save these high-frame-rate shots to Sony’s PWS-4400 multiport
4K/HD Live Server.
HD/4K Live Production for Sports
The HDC-4300 accepts the same
configurations as existing 4K live systems.
A BPU-4000 baseband processor
unit receives the camera signals via SMPTE fiber and connects to an HDCU-2000
or 2500 camera control unit. This provides power and full intercom, tally, and
return capabilities.
Users can seamlessly blend an
HDC-4300-based system with existing HDC Series camera systems. The HD signals
from the HDC Series cameras and from the new camera system can be adjusted to
match colorimetry.
The addition of other 4K
products, such as the PWS-4400 multi-port 4K/HD Live server, a multi-format
switcher capable of real-time 4K signal processing based on the MVS-8000X, and
Sony’s new BVM-X300 4K OLED or PMW-X300 4K LCD monitors create an end-to-end 4K
live production solution.
HDC-4300 – additional features:
- HD cut-outs – two full HD images to be cut
out from the 4K picture in real-time including a selectable zoom and
perspective mode.
- Many of the Picture adjustment functions of
HDC Series cameras are supported by the HDC-4300 system
- Dynamic focus (4K focus-assist function) – a
focus point can be displayed on the viewfinder with a marker in 4K mode
for easy focusing.
- Auto lens aberration compensation 2 (ALAC2)
function
- Color reproduction adjustment functions
- Gamma table selection
- User gamma function
- Natural skin-tone detail function
- Knee saturation function
- Low-key saturation function
The HDC-4300 4K/HD live camera
system is planned to be available in summer of 2015.
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